The eventual performance was partly derived from animators seeing footage of the actors in the recording studio and footage of themselves acting the part too. 3D Character Face 3D Character Appealing when cross Quite often she is required to remain charming whilst appearing cross or awkward. She is an inherently pretty character and that must still follow when she is pulling a wide variety of expressions. Again there will have been many artistic decisions made to give certain properties of spring and bounce to different sections of her luscious locks. the skin of her face, neck, the rest of her head and the shoulders. All the time it is interacting with itself and the other surfaces that it comes into contact with i.e. When she moves the hair bounces and follows her. There is a subtle mix of subsurface scattering – a method of approximating how light shines through semi-translucent material such as flesh or hair simulations – and artistic styling of many lengths of hair with a variety of strand length, curl, wave, and frizziness. Too right as the hair is quite a large signature of her Scottish heritage and character. The artists and technicians at PIXAR have hit the mark on both of these counts. One of the most devious things to achieve inĬGI is realistic hair that moves and has the general look that appears “right”. The Merida character is a very complex setup.
0 kommentar(er)
